The better-late-than-never murder indictment of Jimmy “Superfly” Snuka in the 1983 death of his girlfriend Nancy Argentino once again challenges us with one of the main socially redeeming features of pro wrestling — an alternative universe that is all about life imitating art.
Indeed, since there’s no accounting for taste, and wrestling’s gleefully pandering interpretation of what sports-entertains people isn’t everyone’s cup of tea, the genre’s occasional confrontation with death may be its only redeeming feature. Evidently, the human condition requires the inflation of the stakes to the level of the ultimate “work,” in order to make us pay serious attention to the reality that the ultimate lesson of wrestling is that it is just like that other world, only perhaps more so.
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